Man, that opening. What a hook. I thought it was going to be cliche. I thought I was going to have this shining example to hold up to say “Never try to hook your reader with this sort of thing…”
And then I read this WHOLE BOOK trying to figure out that hook, because it intrigued me. It worked really well, with this ensemble cast. All you know is that the character it’s speaking about is female. You don’t even know if she’s a major player. All you know is that she’s about to die, and you want to figure out who in the hell she is.
I’ll agree, no hesitation, with other comments I’ve heard/read about this book, that the characters can be pretty shallow. I think when you’re dealing with an ensemble cast and your book isn’t anywhere near as long as an A Song of Ice and Fire tome, you’re going to have to delve a little less deep just to cover the main storyline. Did I still care about the characters? Sure. They’re pretty fascinating. It all unfurls in a sort of soap-opera way. A futuristic soap opera all about teenagers. They all have desires and conflicts and different living situations that complicate things.
Everyone is a bit overdramatic, though it feels pretty authentically teenager. Throw in all the drugs and alcohol, and I have no hesitation believing it. There are a lot of female protagonists, which was great. Actually my favorite character ended up being the one male protagonist that we get POV chapters from. Watt, and his special friend Nadia, are fascinating to me. I think McGee ended up nailing that circumstance and those interactions so well that Watt/Nadia will be the reason I keep reading these books. The other characters are interesting, but Watt/Nadia were compelling.
While avoiding spoilers, I do have to say that the ending wasn’t what I expected, and I really wanted it to go a different way. I can see why it was necessary, sort of. And I’m not complaining that I’ll get to read more of Watt/Nadia since this isn’t a stand-alone book. But I think it ended the way it did because the author really wanted a second book (or maybe her publisher did?) and she needed to set things up in such a way that there was plenty to keep writing about. Except, I could definitely see plenty to keep writing about if things had gone the way I wanted them to, in the end, rather than the ending that was written.
Still, that could be the ending that was intended all along, and if so, it isn’t necessarily a bad one. There’s definitely setup for book two, and motivation to keep reading if there are characters in play that you care about.
The futuristic elements of the book were handled well, I thought. It’s a different sort of world these teenagers live in, and it adds a lot of interesting and compelling dynamics to the story. I’ll be picking up the sequel, once it’s released.