The Creature in the Case

This is a lovely, compelling short story that takes place in the Abhorsen universe. Chronologically, it happens between the events of Abhorsen and those of Goldenhand. It follows Nicholas Sayre, and I wasn’t sure I was going to like him enough to care about this story. Thankfully, Nix provides enough interesting situations, endearing awkwardness, and fast-paced action to help you fall for Nicholas.

This story is definitely worth reading. It should be read after Abhorsen and before Goldenhand, in particular by those who love Lirael’s character from the original trilogy.

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Abhorsen

There are some people who don’t enjoy the progression that happens in some trilogies, where the first novel is sort of the introductory conflict, the second novel deals with even bigger events like the fate of the world, and the third novel deals with the fate of the whole friggin universe. If you’re that type of person, you might not like these books. You should still read them, of course, because they’re fantastic. But, you’ve been warned.

This third installment to the original “trilogy” (now expanded with the new sequel Goldenhand) definitely escalates to the “save the universe” level. It does it so organically, though, that you really can’t (or shouldn’t, anyway) complain.

We get more Sabriel and Lirael and Sameth, all good things. There’s more Mogget and Dog. There are new, interesting characters that you want to love. There are secondary characters that we’ve already met who grow more prominent. There’s suspense and more time spent in Death and the best villains yet.

This isn’t a light, magical story. This trilogy (or series, now) is dark, and heavy. It’s supposed to be. And it earns it. It earns the weight, and seriousness, and still gives you all the feels.

Again, Mogget is my absolute favorite. I’ve said that three times now in these reviews. You really get to the meat of it in this book.

Fans of Sabriel and Lirael have to read this book—it’d be silly not to. It’s a beautiful closure to the conflicts started in the previous books, and heralds in a brief respite for our characters before we get to jump in to Goldenhand.

Lirael

Please excuse me while I gush about one of my favorite books ever.

SO GOOD.

The world you get in Sabriel is amazing and beautiful and dark and you get EVEN MORE of it in Lirael. Not to mention a protagonist who you might be able to identify with a lot more, if you’re anything like me. I actually love Sabriel, but in a way that absolutely pales in comparison to how much I love Lirael, as soon as I read this book. I didn’t know what I was missing, and then there it was, and it was so satisfying.

Lirael’s journey starts out with less physical journey-ing in the beginning. Sabriel kind of sets off right away in her book, but Lirael doesn’t do that. For good reason. We get to spend some time really getting to know her fears, her motivations, her history, all the feels before we get plunged into more by-the-map journeying.

Mogget is still my favorite, but I know about half the population would like the predominant secondary character in this book more than Mogget. Dog is just—a whole different level. Fans of Ponch from the Young Wizards series will absolutely love her. I absolutely love her, though I still love Mogget just a tiny bit more throughout the books.

I think my favorite thing about Lirael, as a character, is that she’s so awkward. She’s realistic, she’s unsure of herself, but brave when she really needs to be. That rings true, for me. So much of this book hit home with me, right in the gut. There’s so much beauty and darkness warring in this world, and within the characters. Life can be sucky and awful sometimes but everyone is still fighting in the name of Life, metaphorically and literally.

There’s one particular scene where Lirael sort of finds out who she is, and it’s juxtaposed with another character, Sameth, finding out who he’s not, and it’s just beautiful. Perfectly timed, and perfectly at odds, and since you care about the characters you can feel both feelings.

You can probably tell that I enjoy re-reading these books every few years. It’s been awesome to re-read them with actual new content to look forward to, in the form of Goldenhand. New and old fans can be glad that Nix decided to continue this really fabulous series. Keep reading, because you’ll want to get to Goldenhand—spoiler: it’s really good.

Sabriel

The first scene of this book always gets me. It starts out so mundane. And then, all of a sudden, it absolutely isn’t. But in a sweet, introductory way that welcomes you into this amazing world with one of the most brilliant magic systems I’ve encountered.

I first read Sabriel in middle school, back when there was no Creature in the Case, or Clariel, or Goldenhand. It’s actually been pretty surreal, re-visiting this world because there are actual new additions to it. (Can someone go poke Mary Stanton to finish the damn Unicorns of Balinor series already? I’ve been waiting on that since elementary school…)

My doctor asked me what I was reading when I went in for an appointment while I was re-reading this recently, and surprisingly (do doctors have time to read, after all that schooling?) he said he’d read it, and he remembered it as pretty dark, and scary, with dead people, right?

I had to laugh. Though, I think I was pleased that he didn’t say “zombies.” This is NOT a zombie book. No way. The magic in this book is with necromancers, and those are very different things. Personally, I think magic and necromancy are way more cool than zombies.

When it comes down to it, everything about this book is cooler than you might be expecting. I say it’s Young Adult, and then you’re surprised when things get so dark with long-dead spirits and re-born demon creatures fighting to stay in the world of Life. Likewise you might be expecting a dramatic, angsty romance, which isn’t present in this book. I say magic, and some people might scorn it as escapist fantasy (though if you do, be careful about how you tell me that, because it makes me seriously question why I’m still friends with someone when they do that). Instead, you get one of the best magic systems, akin to the Earthsea cycle or The Name of the Wind. The system is actually similar to both of those, but instead of having to know the true “name” of something, you have to know the charter marks that describe all of life and the universe. You have to be able to use the right ones at the right time, and combine them in just the right way, to get the results you’re looking for. It’s an art form in these books, one absolutely at odds with the steady march into “modern” times that you see in the juxtaposition of the Old Kingdom and Ancelstierre.

Sabriel is a kickass character. Her dad disappears, and she leaves school to travel into the dangerous Old Kingdom to try to find him. She meets mentors and villains along the way, and manages to stumble into some awkward yet fateful situations. She doesn’t falter, though. She doesn’t whine. She’s one of the most capable female characters I know of, and I appreciate that I got to read her as a young girl, because she’s a great role model.

I won’t say too much about him, because I don’t want to give you any spoilers, but Mogget is my absolute favorite. You’ll see why, when you read these books.

Oh, and speaking of—you’ll want to read all of these books. You can stop at Sabriel if you really really want to. The events of the next book, Lirael, happen a long time after the events of Sabriel, chronologically. BUT you don’t want to read Lirael without having read Sabriel, because Sabriel is a better introduction to the world. Lirael might be too much too quickly, if you don’t understand some of the more basic concepts about how this world works. And you HAVE to read Lirael. It’s one of my favorite books ever. Lirael is one of my favorite characters ever. It gives me that same indescribable feeling that certain sections of Miyazaki movies do. There’s a purity and a I’ll-never-forget-this-ness to Lirael.

The plot is well-paced in Sabriel, the characters are wonderful. The world is genius and the magic system is top notch, especially if you worried about things like Harry Potter spells not coming with any sort of cost from the caster. This magic system is balanced and beautiful, and well worth exploring. I’d say this book (and the Abhorsen series) is great for any reader, really, not just YA fans.

Clariel

My husband and I finally went to our local library to get new library cards. We’ve been living here for almost two years, so it was about time. It’s a small town, with a small library, but it’s dialed into the greater Central Coast network of libraries, so you can request any book at any of the various libraries. Our location is pretty small–I can’t imagine how they choose what goes on the shelves, because there’s just not enough room.

We got our shiny new library cards (with access to new Overdrive materials, so that’s fabulous for audiobooks for our long car rides!), and then we walked around a bit. On the featured “New” YA bookcase I saw a familiar looking design, and went to it right away.

I have an interesting love affair with the Abhorsen trilogy by Garth Nix. It’s dark, edgy, has some absolutely fantastic characters, and escalates in a beautiful way. My cousin dislikes what he thinks of as the formulaic fantasy escalation of “Fix something small in book one, introduce a bigger conflict in book two, save the whole f-ing world/universe in book three.” I love it. And the Abhorsen trilogy does it SO WELL.

(Other notable trilogies that do the same thing: The Magicians trilogy by Lev Grossman, His Dark Materials by Philip Pullman, in a lot of ways the Young Wizards series, leading up to Wizards at War…)

Lirael is my favorite character by far, but I’ve never disliked Sabriel. I was actually really surprised when my husband listened to the audiobook and said he wasn’t crazy about her. She’s smart and resourceful and teaches herself how to become a master at something. Much like Lirael.

So when I read Clariel, I was expecting much the same thing. An intelligent, resourceful, go-getter type of young woman who figured out how to fix her own problems, and ends up saving the world in the bargain.

For those of you who have read this, you realize now how disappointed my expectations were.

Not much happens in the entire first half of the novel. It’s mostly Clariel whining and being pushed around by a whole host of other characters whose motivations drive the plot. Clariel has a motivatation, sure, but she never does anything to try to achieve it. And then she sort of throws it out the window eventually and switches to revenge. It’s all rather strange, considering that Nix’s other protagonists are so much more consistent, believable, and likeable.

There was one sort of fan-service moment that kept me going–a favorite character from the original trilogy had the first half of his name mentioned. And that was honestly enough to keep me going through all the boring parts, because I was hoping he would show up again.

When things do start escalating, the protagonist makes a lot of strange choices, and by the nature of the differences between Free Magic and Charter Magic, she doesn’t have to employ the same kind of intense study that Sabriel and Lirael do. Unfortunately, the study and practice and sheer effort involved in getting good at something is what makes me love those characters so much. Clariel is just–not that compelling, in comparison.

Now, given all that, I actually am not at all sorry that I read this book, nor do I think it was a waste of time. I think as a prequel it definitely should NOT be read before the original trilogy–but rather read in order of publication, so that the reader can see where it fits in to the greater universe and issues at play in the main trilogy and beyond. It offers interesting new information, and a friend of mine with an Advanced Reader Copy of Goldenhand (which comes out next month!!) says she can see why Nix published Clariel, because it gives you background on things that will come up in Goldenhand.

Ultimately what Clariel did was submerge me in the world again, and get me excited to re-read and then buy Goldenhand at its release. I think that’s pretty effective. It may have been better served as a novella, like The Creature in the Case, but it is still a valuable and interesting addition to this fictional universe.

Now I’ve got to finish these other library books before I can go off to re-read Sabriel et al…