The first scene of this book always gets me. It starts out so mundane. And then, all of a sudden, it absolutely isn’t. But in a sweet, introductory way that welcomes you into this amazing world with one of the most brilliant magic systems I’ve encountered.
I first read Sabriel in middle school, back when there was no Creature in the Case, or Clariel, or Goldenhand. It’s actually been pretty surreal, re-visiting this world because there are actual new additions to it. (Can someone go poke Mary Stanton to finish the damn Unicorns of Balinor series already? I’ve been waiting on that since elementary school…)
My doctor asked me what I was reading when I went in for an appointment while I was re-reading this recently, and surprisingly (do doctors have time to read, after all that schooling?) he said he’d read it, and he remembered it as pretty dark, and scary, with dead people, right?
I had to laugh. Though, I think I was pleased that he didn’t say “zombies.” This is NOT a zombie book. No way. The magic in this book is with necromancers, and those are very different things. Personally, I think magic and necromancy are way more cool than zombies.
When it comes down to it, everything about this book is cooler than you might be expecting. I say it’s Young Adult, and then you’re surprised when things get so dark with long-dead spirits and re-born demon creatures fighting to stay in the world of Life. Likewise you might be expecting a dramatic, angsty romance, which isn’t present in this book. I say magic, and some people might scorn it as escapist fantasy (though if you do, be careful about how you tell me that, because it makes me seriously question why I’m still friends with someone when they do that). Instead, you get one of the best magic systems, akin to the Earthsea cycle or The Name of the Wind. The system is actually similar to both of those, but instead of having to know the true “name” of something, you have to know the charter marks that describe all of life and the universe. You have to be able to use the right ones at the right time, and combine them in just the right way, to get the results you’re looking for. It’s an art form in these books, one absolutely at odds with the steady march into “modern” times that you see in the juxtaposition of the Old Kingdom and Ancelstierre.
Sabriel is a kickass character. Her dad disappears, and she leaves school to travel into the dangerous Old Kingdom to try to find him. She meets mentors and villains along the way, and manages to stumble into some awkward yet fateful situations. She doesn’t falter, though. She doesn’t whine. She’s one of the most capable female characters I know of, and I appreciate that I got to read her as a young girl, because she’s a great role model.
I won’t say too much about him, because I don’t want to give you any spoilers, but Mogget is my absolute favorite. You’ll see why, when you read these books.
Oh, and speaking of—you’ll want to read all of these books. You can stop at Sabriel if you really really want to. The events of the next book, Lirael, happen a long time after the events of Sabriel, chronologically. BUT you don’t want to read Lirael without having read Sabriel, because Sabriel is a better introduction to the world. Lirael might be too much too quickly, if you don’t understand some of the more basic concepts about how this world works. And you HAVE to read Lirael. It’s one of my favorite books ever. Lirael is one of my favorite characters ever. It gives me that same indescribable feeling that certain sections of Miyazaki movies do. There’s a purity and a I’ll-never-forget-this-ness to Lirael.
The plot is well-paced in Sabriel, the characters are wonderful. The world is genius and the magic system is top notch, especially if you worried about things like Harry Potter spells not coming with any sort of cost from the caster. This magic system is balanced and beautiful, and well worth exploring. I’d say this book (and the Abhorsen series) is great for any reader, really, not just YA fans.